![]() Part history lesson, part protest album, and all jazz in its soul and conception, this is a thoughtful and valuable project that deserves much attention. They have previously been a member of the Association for the Advancement of Creative Musicians (AACM),and a member of the B.R.C. This is one of the most unique musical experiences to be released in 2011, and really succeeds where well meaning but overly bloated efforts like Wynton Marsalis' epic Blood on the Fields have faltered.īy breaking her narrative down into discreet parts, she is developing a project akin to the late clarinetist John Carter's Roots and Folklore series of albums, which examined the African- American experience through music. Matana Roberts (born 1975) is an American sound experimentalist, visual artist, jazz saxophonist and clarinetist, composer and improviser based in New York City. It's an unforgettable narrative, akin to Abbey Lincoln's work with Max Roach on songs like ∽riva' Man." Matana Roberts Coin Coin Chapter Five: In The Garden 1.we said03:30 2.different rings01:26 1.we said03:30 2.different rings01:26 3.unbeknownst04:43. Brown: Bid 'em In" where she throws her heart and soul into the scorn and shame of American slavery. Buy Now Buy on Record Label: Constellation Genre (s): Jazz, Avant-Garde Jazz, Experimental Big Band out of 6 Metacritic Music Reviews, Coin Coin Chapter One: Gens de Couleur Libre by Matana Roberts, The New York-based saxophonist releases what is to be the first of her Coin Coin project. Four years since Chapter 4, NYC-based reeds player, composer/improvisor and bandleader Matana. thing: closest analogue would be something like that. Roberts also sings quite well on the album, but the centerpiece is her haunting narration of a slave auction on Libation For Mr. Avant folk-jazz-blues visionary Matana Roberts braids American and African-American history and music in a remarkable 5th chapter to her epic, ongoing 12-part cycle - co-produced by TV on the Radio’s Kyp Malone, overseen by the spirit of Jaimie Branch (RIP), and performed by her 11-piece ensemble. getting some press for her new record, coin coin chapter one, which is the first of a twelve-piece. There is the raw toned tenor saxophone that she has developed a unique tone on in instrumental pieces like the opening Rise," which move through free and intense areas of exploration providing an opening into the story. Part one is this album, subtitled Chapter One: Gens De Couleur Libres which is a fascinating mix of genres, ideas and song. Saxophonist and composer Matana Roberts has been involved in a lengthy genealogical exploration of her family's rich history, and in doing so has conceived of an ambitious twelve part experience of music, narrative and sound. The forthcoming record marks the fifth chapter in the series, which began in 2011 with Chapter One.
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